Review of At the Narrow Waist of the World

 

A Galaxy of Family

I loved this book from the very first chapter, when the narrator’s mother Julita is introduced under the shade of a calabash tree in 1950’s Panama.  A beautiful woman, glamorous as a movie star, Julita has recently undergone psychiatric treatment. She suffers from severe anxiety and worries that the maids in her home have poisoned her food. Her seven-year old daughter, Marlena, tries to tell her that there is no poison. “Pruebalo,” the mother says, meaning, taste it.  Unbelievably, Julita asks her child to taste food she believes is deadly poison! The narrator then writes: “Good little girl that I am, I taste the bitter truth.”  How does a child cope with a truth this bitter?  Author Marlena Maduro Baraf offers up the answer: family. For Baraf, family is always the through-line, always the source of her considerable strength.  Hers is a close-knit family, dwelling near each other, in some cases in an apartment owned by members of the family. As Jews in Catholic Panama, they are a minority. At one point, Marlena wants to become a Catholic, until a kindly priest reminds her that she also has a beautiful tradition in Judaism.  As Marlena matures, she experiences sad losses and additional challenges with Julita. To say more would spoil the story, but I’ll reveal that at fifteen Marlena travels to the United States for boarding school. This compelling, poignant memoir balances sadness with humorous character sketches and reminiscences of happy family times. It is told in fresh, original prose that approaches poetry, spare yet rich, full of music and sense imagery. When you read Baraf’s words you hear the music, taste the food, feel the emotion within her. An occasional Spanish phrase adds flavor and authenticity.  As you read, you’ll want to pause at the fascinating family photographs of Grandfather Jicky’s fairy tale castle, of Aunt Esther’s native dress, the pollera, and of Julita, magnificent in evening dress.

 

 

LATE BLOOMER

"I'd like to be a writer," I told Father Donahue - I believe that was his name - during my admissions interview.  At the time I imagined myself scribbling merrily away in a rose covered cottage, surrounded by my five children playing peacefully together.

"If you want to write, read," Father responded, excellent advice I still follow today.

Freshman year, when our first English papers were returned, C's and D's were sprinkled around the classroom. But I got a B minus! "You write well," Professor Antush noted. "You have a good sense of rhythm and structure." He also said that reading my journal was a delight. I glowed. However, I followed another career path, and became a teacher of high school English. But when it was time to retire I returned to that first ambition, to be a writer, sans the rose covered cottage. That's how my novel, Ms. Murphy's Makeover, came to be published by Black Opal Books. I became a published author many many years after that first interview. Better to be a late bloomer than never to bloom at all! 

Latkes and Candy Canes

If you walk into DeCicco’s or ShopRite this time of year, you’ll notice Christmas wreaths and other pine-scented greens displayed outside. Whenever I can, I touch one of the wreaths, hold my fingers to my face, and inhale the fragrance, remembering.

More than half a century ago, my father and I were walking through the Botanical Gardens on a scorching August Day.  I was perhaps eleven, the last born of a large Catholic family.  We strolled into the Ross Arboretum, where more than 200 pine trees, the first specimens to be planted in those gardens,  stretched mightily above us. Immediately, the hot August day was ameliorated by the delicious shade of those trees.

We took a walk every Sunday,my father and I, either to the Bronx Zoo, or to the Botanical Gardens. On this occasion  he taught me to pinch the end of a pine branch, and then carry the scent of the tree to my fingers. “It smells like Christmas,” I said. 

He hesitated. “You're a big girl now."

I waited, having no clue as to what was coming.”

“Your mother and I are getting older. We won’t be putting up a tree this year,” he continued.

No Christmas tree? I couldn’t believe it. We always had a tree, a beautifully shaped fragrant presence in the living room that excited me throughout most of December with the thought of Christmas.  

It got worse. Christmas presents were going to be limited too.

Then and there, I made a resolution. No matter how old I got, Christmas would be Christmas, with a tree, and presents. And now, so many years later, I lavish my grandchildren with gifts at Christmas time, buy each of them an ornament inscribed with his or her name. And if the holidays coincide, I heat up the latkes as my Jewish husband lights the candles on the menorah before passing around the candy canes.  And somehow, it smells like Christmas.

Covers

  Nothing in my life can ever compare to the thrill of meeting my newborn daughters for the first time.  However, seeing my manuscript become an actual book, with a cover that proclaimed me as its author, came pretty close.  Like Anne Bradstreet, who called her book the child of her brain, I feel a tendernessakin to that of motherhood for my novel, Ms. Murphy’s Makeover.

I remember the morning that Jack, an artist for Black Opal Books, sent me some possible cover designs.  I had told him I wanted to explore the daffodil image in the book. These golden perennials, a symbol of hope and rebirth, and the subject of a beautiful poem by Wordsworth, seemed a perfect way to convey my story of a woman who blossoms into a new life. Following my suggestions, Jack produced a single open daffodil, pointing heavenward against a sky-blue background.  Underneath the title, Ms. Murphy’s Makeover, my name appeared.  I was an author!  My first name was misspelled, but Jack said that was easily corrected. Once the correction was done, I was over the moon.

My family was not.  My husband absolutely hated it. My daughter said the skyward- pointing flower suggested a religious experience, not a women’s journey.  But in the end, it was my sister Rosalie who cast the deciding vote.  She was scathing in her disapproval.  “Jacqueline. That cover tells me nothing, nothing, about your book,” she complained. “It doesn’t make me want to read it at all.”

  

 

 

As always, I listened to my sister. I sent Jack back to his drawing board.  “This is a book about sexual awakening, among other things,” I explained. “A collapsing marriage. A difficult work environment. And then, a cosmetic makeover. Perhaps an image of a woman’s hands with red nail polish, removing a ring?

A woman in a plunging neckline, wearing a dress as scarlet as Hester's  letter, was the next option Jack sent!  I was crazed at the sight.  This cover proclaimed soft porn, or maybe not so soft porn.  My character, Charlotte Murphy, would never wear such a dress.

To my surprise and delight, Jack had read the book, and he agreed with me. In one scene Charlotte wears a black dress, over the objections of her husband.

A black dress silhouetted against a champagne background, Jack suggested, would be sexy, yet classy. Much better, my husband said. Daughter and sister agreed. And so, the cover was born.

A little black dress - the final cover! 

A little black dress - the final cover!

 

Recently, seeing that familiar image in a stranger’s hand almost was a religious experience.  A perfect stranger had selected my book in a public library!  Rosalie was right. Perhaps, you can judge a book by its cover.

 

 

 

 

 

 

How Objects Tell Your Story

Thanks to Mindy Halleck for this article. I employ a similar strategy in Ms Murphy's Makeover. A blue stone in a man's pinky ring is the object I chose.

How Objects Tell Your Storyby Mindy HalleckIn 2011,I embarked on one of the harshest undertakings; I placed what I thought was the final draft of my novel in a drawer for one year. Why? Because, as I told others in … Source: How Objects Tell Your Story

Ms. Jacqui's Makeover

Ms. Jacqui's Makeover I was made over.

Old friends may notice a difference in appearance between my former self and my current look on social media. This is the reason why.

When my debut novel, Ms. Murphy's Makeover, was accepted for publication I had to submit an author photo. I was advised to seek professional help. Immediately. My generous friends, Nan and Marlena, two talented and stylish writers, offered to take me in hand.  I accepted gratefully. I am sadly challenged when it comes to fashion and make-up.

This is my husband's fault, of course. He says likes me without lipstick or mascara or anything at all on my face. Lucky for me.

But this has made me complacent, or let's face it, lazy, about my appearance. My make-up consists of a smear of lipstick I put on in the morning and forget to re-apply. When I get my hair cut I stick to the basic bob, all one length. My stylist always looks a little sad, and asks why I let it go so long between visits.

Anyway, on to the project. My friends had their work cut out for them.

The first step was eyeglasses. Mine were fairly attractive, I thought, wire framed progressive lenses. I had let the helpful receptionist for my eye doctor choose them. Eight years ago. My vision had not changed. But Nan and Marlena explained that the frames were passé.

They went with me to Lens Crafters early one morning and together we examined every possible option available for my prescription. They discussed each pair I tried on at great length, photographed me in each, and drove the sales associate crazy.  We were in the store for two hours. At last I ordered the designer tortoise shell frames they'd selected.  Designer frames at a designer price.  I pulled out my credit card and signed.

On to wardrobe. Marlena, who is an artist as well as a writer, told me that the pastel color palette I'd preferred all my life was wrong wrong wrong. Jewel colors, she told me. Pale pinks and blues washed me out.

I went shopping with this in mind, and explained my predicament to the helpful saleswomen. They loved the idea of a project, and selected a cashmere sweater in burgundy and a blouse in teal blue. You can see my jewel-toned threads on my facebook author page, Jacqueline Goldstein Author, and on my soon to be published website.

Next came hair. My stylist, Cherry, gave me a pile of magazines to go through. Together with her assistant, Laura, we chose a layered style with flipped up ends, guaranteed to take time out of my mornings. And then Cherry gave me the best haircut I've ever had, layering my hair to frame my face and even flip up impishly.  It was a great success, although I'd never be able to replicate it myself.

The make-up person at Cathy's loved my haircut. When I told her that I was about to be photographed she gently patted  layers of stuff on my face, making my nose look smaller and my mouth seem bigger. Suddenly I had eyebrows and eyelashes. False eyelashes.  My small blue eyes became bigger and bluer behind my brand new glasses.

Finally it was time for my close-up. The photographer, Noelle Marie, chatted me up about my life and my book, posed me this way and that, smiling, serious, pensive, and mischievous.  I had a great time. Being with her was like meeting a new friend.

The pictures turned out great. But then Noelle re-touched the photos, removing my wrinkles, adding whitener to my teeth and heaven knows what else. I emerged, glamorous, and cover ready.

Ironically, Ms. Murphy's Makeover, is about a teacher who hates the way a cosmetic makeover turns out. She washes her face, and moves on to a more honest life.  Unlike my character, I loved the way my makeover, and the photos, turned out.  But it takes a village, a lot of time, and deep pockets to look your best.  At the end of the photo session I was happy to wash my face, put on my old pastel sweater, and be just me again.

 

 

A book I loved

Elizabeth Strout's latest novel, "My Name is Lucy Barton" is the story of a mother and daughter, told by the daughter. It is a short, absorbing book. I inhaled it. Lucy Barton grows up in almost Dickensian poverty, living with her family in a freezing garage, insulated with pretty pink fiberglass. She is told not to touch the stuff that gives this minimal warmth, because if she touches it, the fiberglass will cut her. The coldness of her home reflects the coldness of a family where the parents are abusive by most standards. For example, Lucy's parents lock her in their truck for an entire day.  But Lucy's mother sometimes gives her a hot water bottle to heat the bed at night.

Lucy stays late at school each day, doing homework and reading, just to be warm. She learns that "work gets done if you simply do it." Books help her not to feel alone, and she decides to become a writer to help others not feel so alone. Doing homework and reading, she becomes an excellent student, wins a college scholarship, and escapes the poverty of her family. But she never stops missing them.

When the adult Lucy is hospitalized for nine weeks her mother comes to the hospital and never leaves Lucy's side. Laughing and joking about the nurses, whom they have nicknamed Toothache, Cookie, and Serious Child, Lucy and her mother come to a kind of closeness.

Partly through the advice of another mother figure, a published author, Lucy achieves success as a writer, but, as her mother predicts, there are tough times in her future.

As a writer myself, and as a daughter and mother of daughters, I loved this book. Thank you, Elizabeth Strout.